The motifs in this series are based on an intuitive selection of images sourced from the Internet, which are then converted into digital halftone patterns—a technique familiar from offset printing, in which varying concentrations of black dots create the optical illusion of different shades of gray. Through meticulous manual labour, I transfer these patterns onto canvas using black ink. Flaws are left uncorrected, challenging the notion of mechanical precision associated with digital printing. Up close, the motifs dissolve into countless tiny fragments, while from a distance, they form a clear, coherent image.