Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Paradise Wallpaper, varied versions, digital print, varied sizes, 2021
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Beautiful Decay, digital print, varied sizes⁠, 2021
Patterns made from images of waste disposal sites.
Shirt, folded shirt with glass-head pins, 2012
The Impossible Alignment of Two Fragments in CLose Approximation, 10 ft x 6 ft, spices and fluorescent pigments, 2015

Installation at the Arsenale, Venice, IT, Arte Laguna Prize 2016

Drawing on Gestalt theory’s notion of the “unified whole” and the idea that we frequently perceive separate elements as being joined together, as for instance, filling in the blanks, where a huge piece of the floor is hidden underneath the furniture. This carpet is a reference to Persian rugs. It is made of spices, suggesting that we often come to know another culture through their food.
The Impossible Alignment of Two Fragments in Close Approximation, 40 in x 40 in  and  64 in x 40 in, 2015
Glow Carpet, fluorescent pigment, temporal installation,150 cm x 100 cm, 2018
Xenos (Welcome Mat), local soil, pigments and spices 18 in x 30 in, 2016
Artillery Rug, gun powder imitation, stenciled wall “Hold Still”, 120 cm x 200 cm, 2017
41.876270, -87.649948, magnetite, temporal installation, 13ft x 13ft,  2013
41.87627, -87.649948, lace-rug (before and after wiping), soil, 6 ft x 18 ft, 2013
44.048280, -91.644352, lace-rug, magnetite, 60 in x 120 in, 2014
41.927455 -87.697607, gold/black glitter, 85 in. x 155 in., 2015
41.8034 °, -87.5861 °, temporal rug, gold/black/silver glitter, 64 in. x 95 in., 2015
Crystal Carpet, Swarovski crystals, Armani Hotel Dubai, 320 cm x 220 cm, 2017
Still Life of Petrified Flowers, ceramics, 30 in x 30 in, 2016
Oval Frame, pigment print, 40 x 60 in, 2019
Floral Overgrowth on a Deserted Frame, mixed media on digital print, continuous work-in-progress (annually progressing versions since 2016) 100 cm x 140 cm, 2016 to date
Botany of Desire, immersive installation, 20 ft x 8 ft x 12 ft, 2016-17
Growing Vines in Unknown Gallery, acrylics on wall, immersive installation, 2016
Rococo, Floral Wallpaper, ink drawing, digitized, 10 ft x 10.8 ft, 2018
770 Minutes of staring holes into a blank sheet of paper (absent floral drawing), perforated paper, 20 in x 30 in, 2015
The Unleashing of the Bodily Potential of a Twenty-One-Fold Thought, book ,11in x 22 in x 10 in, 2016
Abandoned Shirt, oil on wood panel, 8.5 x 11.5 in, 2009
Erasure Drawing #1, oil on archival paper, 34 in x42 in, 2010
Erasure drawing #2, oil on archival paper, 34 in x 42 in, 2010
Shifting Frames Shifting, natural white beeswax, 12 in x 18 in, sizes vary, 2015
No Title, installation with gold dusted poppy pattern stenciled on wall, 44 ft x 9.5 ft ; Floral frames, 20 i.n x 30 in., 12 in. x 18 in., 14 in. x 20 in., 2015
41.8033751,-87.58677080, digital installation,  10 ft x 80 ft, 2014

Shown on the digital façade of the Jackman Goldwasser Catwalk Gallery at the Hyde Park Art Center, Chicago, 2015.

The interactive, digital opium-poppy wallpaper altered its pattern, in response to the weather data from Kabul, Afghanistan. The wallpaper’s initial pristine symmetry slowly cascades into chaotic disarray.
Growth, auto-destructive, real-time wallpaper, projection on paper, 240 cm x 100 cm, 2015
Forty Increments, interactive, decomposing, virtual wallpaper projection in real-time, 12 ft x 40 ft, 2013

The viewer’s presence is registered via sensors that cause the wallpaper to erase itself.
The initially pristine ornamental symmetry slowly yields to entropy.