ALPS/Alpen (Rasterbilder), ink on paper, H 70cm B 102 cm, 2022 Chandelier/Kronleuchter (Rasterbilder), ink on paper, H 70cm B 102 cm, 2022 After Manet (Rasterbilder), ink on paper, H 50cm B 70 cm, 2022 Temporal Carpet Fragment, black glitter, 2022 Temporal Carpet Fragment, audience participation, recorded after 3 hours, 2022 Growing Vines in the GalerieETAGE, Museum-Reinickendorf Berlin, acrylics on wall, temporal installation, 2022/23 Growing Vines in the GalerieETAGE, Museum-Reinickendorf Berlin, acrylics on wall, temporal installation, 2022/23 Growing Vines in the GalerieETAGE, Museum-Reinickendorf Berlin, acrylics on wall, temporal installation, 2022/23 Growing Vines in the GalerieETAGE, Museum-Reinickendorf Berlin, acrylics on wall, temporal installation, 2022/23 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Paradise Wallpaper, varied versions, digital print, varied sizes, 2021 Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Beautiful Decay, digital print, varied sizes, 2021 Patterns made from images of waste disposal sites. Shirt, folded shirt with glass-head pins, 2012 The Impossible Alignment of Two Fragments in CLose Approximation, 10 ft x 6 ft, spices and fluorescent pigments, 2015 Installation at the Arsenale, Venice, IT, Arte Laguna Prize 2016 Drawing on Gestalt theory’s notion of the “unified whole” and the idea that we frequently perceive separate elements as being joined together, as for instance, filling in the blanks, where a huge piece of the floor is hidden underneath the furniture. This carpet is a reference to Persian rugs. It is made of spices, suggesting that we often come to know another culture through their food. The Impossible Alignment of Two Fragments in Close Approximation, 40 in x 40 in and 64 in x 40 in, 2015 Glow Carpet, fluorescent pigment, temporal installation,150 cm x 100 cm, 2018 Xenos (Welcome Mat), local soil, pigments and spices 18 in x 30 in, 2016 Artillery Rug, gun powder imitation, stenciled wall “Hold Still”, 120 cm x 200 cm, 2017 41.876270, -87.649948, magnetite, temporal installation, 13ft x 13ft, 2013 41.87627, -87.649948, lace-rug (before and after wiping), soil, 6 ft x 18 ft, 2013 44.048280, -91.644352, lace-rug, magnetite, 60 in x 120 in, 2014 41.927455 -87.697607, gold/black glitter, 85 in. x 155 in., 2015 41.8034 °, -87.5861 °, temporal rug, gold/black/silver glitter, 64 in. x 95 in., 2015 Crystal Carpet, Swarovski crystals, Armani Hotel Dubai, 320 cm x 220 cm, 2017 Still Life of Petrified Flowers, ceramics, 30 in x 30 in, 2016 Oval Frame, pigment print, 40 x 60 in, 2019 Floral Overgrowth on a Deserted Frame, mixed media on digital print, continuous work-in-progress (annually progressing versions since 2016) 100 cm x 140 cm, 2016 to date Botany of Desire, immersive installation, 20 ft x 8 ft x 12 ft, 2016-17 Growing Vines in Unknown Gallery, acrylics on wall, immersive installation, 2016 Rococo, Floral Wallpaper, ink drawing, digitized, 10 ft x 10.8 ft, 2018 770 Minutes of staring holes into a blank sheet of paper (absent floral drawing), perforated paper, 20 in x 30 in, 2015 The Unleashing of the Bodily Potential of a Twenty-One-Fold Thought, book ,11in x 22 in x 10 in, 2016 Abandoned Shirt, oil on wood panel, 8.5 x 11.5 in, 2009 Erasure Drawing #1, oil on archival paper, 34 in x42 in, 2010 Erasure drawing #2, oil on archival paper, 34 in x 42 in, 2010 Shifting Frames Shifting, natural white beeswax, 12 in x 18 in, sizes vary, 2015 No Title, installation with gold dusted poppy pattern stenciled on wall, 44 ft x 9.5 ft ; Floral frames, 20 i.n x 30 in., 12 in. x 18 in., 14 in. x 20 in., 2015 41.8033751,-87.58677080, digital installation, 10 ft x 80 ft, 2014 Shown on the digital façade of the Jackman Goldwasser Catwalk Gallery at the Hyde Park Art Center, Chicago, 2015. The interactive, digital opium-poppy wallpaper altered its pattern, in response to the weather data from Kabul, Afghanistan. The wallpaper’s initial pristine symmetry slowly cascades into chaotic disarray. Growth, auto-destructive, real-time wallpaper, projection on paper, 240 cm x 100 cm, 2015 Forty Increments, interactive, decomposing, virtual wallpaper projection in real-time, 12 ft x 40 ft, 2013 The viewer’s presence is registered via sensors that cause the wallpaper to erase itself. The initially pristine ornamental symmetry slowly yields to entropy.